By Karl Mearns

The clapping started at 6:58 p.m., two minutes early. We opened the sliding door to the balcony and joined the neighbourhood First Responders Tribute, as we had every night for months. We scanned our sister building across the courtyard: twelve floors, nine patios, and ninety-nine balconies. The usual long-distance faces searched back. Seniors seemed to get it.

When it had started, we celebrated like it was V.E. Day. Our hands were sore from clapping, our arms from waving. People banged pots with spoons. Cowbells made a comeback. Someone who didn’t know how to play blasted on a bugle, and somebody else on a trombone. Our necks were sore from looking left and right and leaning out and looking up to see who had made it outside from the apartments above and below. Most of the time all you could see was hands, but if you timed it right, and they did too, you could make a little distant eye contact. It was a balcony parade, a social distance party.

An East Coaster fiddled one night in the courtyard, transporting us right to Prince Edward Island. We danced and clapped right along. He might as well have been Stompin’ Tom Connors.

For most of us it was a ten-minute escape, and a chance to see who was still around. It was hard to get an accurate count, especially if they were higher than our 9th floor. Miss three consecutive 7:00 p.m. parades, and you showed up the next day as a statistic on the email rumour mill.

The Responders’ efforts become ordinary again after a while. They were expected, taken a little for granted, not appreciated. They lose significance unless you’ve had an experience yourself. They do it because it’s their job. That’s all. It’s not the money. They protect everybody, especially elders like us. They don’t believe that “When it’s your time, it’s your time…”

An elderly violinist showed up every night for a couple of weeks, twelfth floor, south end balcony. He played for ten minutes every night. We could barely see him, but could hear him sometimes when the wind was blowing our way. Rumour had it he had been a classical virtuoso in Germany until the war started, and he hadn’t played since then. For some reason, he started up again when we were all locked down.

He played in the courtyard one night for a half hour. I felt different after I heard him. He had a different message from the fiddler. You could feel some of his past. It forged a new perspective on what was happening to families and friends. He could barely walk and his hands trembled, but something happened when he had the bow in his hand. It was the first time I really heard what was behind a musician’s playing. I haven’t seen him since.

We take things for granted sometimes: family, friends, freedoms, our lives. After a while, we didn’t clap or ring the bell as hard anymore, but our minds worked overtime. Memories popped up more often. It’s not a bad thing. We knew they would help us appreciate things more when it was over.

When the clapping died down one night, someone made an announcement on a microphone. Opposite building, third floor balcony, to the left of the garbage door. He said we needed a few songs. We clapped and sang along like we were kids at a campfire. He was the Music Man. Twenty-five minutes of escape from our escape from the virus. He was a memory-trigger, a good one. He proved old hearts can still stir. He made you want to give everyone a six-foot hug, and a smile.

He was the Tragically Hip, Gordon Lightfoot, or Shania Twain for some, and Woodstock for me. For a lucky few, he was even Vera Lynn…

There’ll be bluebirds over

The white cliffs of Dover

Tomorrow, just you wait and see